“无界之归”2019第三届杭州纤维艺术三年展将于11月26日在浙江美术馆、中国丝绸博物馆、中国美术学院美术馆正式开幕，11月26日、27日在浙江美术馆还将举行“线场——国际纤维艺术的多项链接”国际学术研讨会。

2019策展人团队介绍

在“无界之归”2019第三届杭州纤维艺术三年展即将开幕之际，小编本期将带大家了解一下第三届杭州纤维艺术三年展——“无界之归”的策展人团队。

施慧（Shi Hui） 杭州纤维艺术三年展发起人、艺术总监

施慧，中国美术学院教授、博士生导师，杭州纤维艺术三年展发起人、艺术总监。1986年开始从事当代艺术创作，作品以棉、麻、植物、宣纸、纸浆等纤维材料为特征，以现代艺术意义上的创作构架以及对材料运用的敏感和娴熟技能，使创作趋于纯化和成熟。施慧的作品在中国当代艺术的图式中，呈现出独特的视觉特征。她将传统意义上的编织拓展为一种视觉空间的建构，编织的过程被作为经验的流程，而成为一种“后现代的万物有灵论”的图像演绎，在当代艺术的层面上体现出东方精神的文化底蕴。

施慧曾参加的重要展览包括：第三届上海双年展(上海美术馆，2000)、“生活在此时——29位中国当代艺术家”展（德国柏林国家美术馆，2001）、首届广州三年展“重新解读：中国实验艺术十年”（广东美术馆，2002），“间——中国当代艺术展”（法国蓬皮杜艺术中心，2003）、“我们的未来：尤伦斯收藏中国当代艺术展”（北京尤伦斯当代艺术中心，2008）。并先后在德国汉堡HHLA展览中心（2006）、德国科布伦茨路德维希博物馆（2013）等艺术机构举办个人作品展。2007年获马爹利非凡艺术人物奖、2014年获AAC第八届艺术中国年度雕塑影响力大奖。出版有个人作品集《素朴之诗》(2002)、《施慧》(2013)等。

Shi Hui, the professor and PhD tutor in China Academy of Art，the founder and artistic director of Hangzhou Triennial of Fiber Art. She has started contemporary artistic creation since 1986 and her works are featured by adoption of cotton, hemp, plants, Xuan paper, pulp and other fiber materials. Due to the creative framework based on the sense of modern art and her sensitivity and skills on materials, her artistic creation has become more purified and mature. Among the patterns of Chinese contemporary art, Shi Hui's works display unique visual features. She extends the traditional weaving into a construction of visual space and changes the weaving process into an experience process, so that it becomes a kind of image interpretation on "postmodern animatism" to reflect the cultural heritage of the Eastern spirit on the level of contemporary art.

Some of her important exhibitions include: “The Third Shanghai Biennale（Shanghai Art Museum,2000）, Living in Time -- 29 Chinese Contemporary Artists Exhibition” (National Gallery of Berlin, Germany, 2001), “The First Guangzhou Triennial "Reinterpretation: Ten Years of Chinese Experimental Art" (Guangdong Art Museum, 2002), “Alors, la Chine? - Chinese Contemporary Art Exhibition” (Centre Pompidou, Paris, France 2003) and “Our Future: Guy & Myriam Ullens Collection” (Beijing Ullens Center for Contemporary Art, 2008). She has also held her individual exhibitions at the HHLA Exhibition Center in Hamburg (2006), Germany and the Ludwig Museum in Koblenz, Germany (2013). She won the Martell Award for Extraordinary Artist in 2007 and the award of AAC the 8th Award of Art China for Sculpture Influence in 2014. She has published 20 collections of works, such as the Poetic Simplicity: Shi Hui’s Work（2002） and Shi Hui（2013）.

冯博一（Feng Boyi） 主策展人

冯博一，独立策展人、艺术评论家，并兼任四川美术学院艺术社会学研究所研究员。

现生活、工作于北京。

2007-2017年兼任何香凝美术馆艺术总监，2018年获第十二届AAC艺术中国“年度策展人”奖。

从上世纪80年代末开始，致力于中国当代艺术的策展、评论、编辑等工作。关注于边缘的、另类的艺术家和群体，以及年轻一代艺术家的生存状态和艺术创作；注重中国当代艺术的实验性、批判性和实践性。撰写有百万字的论文和评论文章；策划有上百次的当代艺术展览。在国内外策划的重要展览有：“生存痕迹——98中国当代艺术内部观摩展”（北京）、“不合作方式I、II”展（上海、荷兰格罗宁根美术馆）、“重新解读——首届广州当代艺术三年展”（广东美术馆）、北京浮世绘（北京798艺术区东京画廊）、“左手与右手——中、德当代艺术展”（北京798艺术区大窑炉）、“今日中国－中国当代艺术的转世魅影”展（奥地利维也纳埃索美术馆、荷兰COBRA美术馆）、“景观：世纪与天堂——第二届成都双年展”（成都会展中心）、“透视的景观——第六届深圳国际当代雕塑艺术展”（深圳OCT艺术中心）、“移花接木——中国当代艺术的后现代方式”展（深圳华美术馆）、地图游戏：变化动力——国际视觉艺术暨建筑项目（北京今日美术馆、英国伯明翰博物馆、意大利Terni国际当代艺术中心）、连续五届“两岸四地艺术交流计划”（何香凝美术馆、台北市立美术馆、香港会展中心、澳门艺术博物馆）、一种生存实在属性的叙事——中国当代艺术展（挪威KODE美术馆）、首届CAFA未来展：亚现象——中国青年艺术生态报告（北京中央美术学院美术馆）、“世代转化的中国创造”当代艺术展（丹麦奥胡斯美术馆）、“乌托邦·异托邦——乌镇国际当代艺术邀请展”（乌镇）、“应力场——第四届美术文献展”（湖北美术馆）、“徐冰：思想与方法”（北京798尤伦斯当代艺术中心）、“时间开始了——2019乌镇当代艺术邀请展”（乌镇）等。是为中国目前最活跃的独立策展人和评论家之一。

Feng Boyi，Independent curator, art critic and also concurrently work as a researcher in the Institue of Sociology of Sichuan Academy of Fine Arts. Now live and work in Beijing.

He served concurrently as the art director in the He Xiangning Art Museum from 2007-2017 and won the “Annual Curator” for the 12th ACC Art China in 2018.

Since the late 1980s, Feng has devoted himself to curating, commenting, and editing contemporary Chinese art, paying attention to the marginal, alternative artists and groups, as well as the living state and artistic creation of the younger generation of artists, focusing on experimental and critical contemporary art. He has written, and contributed to numerous articles, theses and essays. He has curated many important exhibitions in China and abroad. including “Traces of Existence: 1998 Chinese Contemporary Art Study Exhibition ”(Beijing), “Fuck Off 1 and Fuck Off 2”(Shanghai; Groninger Museum, Netherlands), “Reinterpretation: The First Guangzhou Triennial” (Guangdong Museum of Art), “Right Hand, Left Hand: A Sino-German Exhibition of Contemporary Art” (798 Art District, Beijing), “A Vista of Perspectives: The Sixth Shenzhen Contemporary Sculpture Exhibition” (OCT Contemporary Art Terminal, Shenzhen), “Surreptitious Substitutions: Post-Modern Methods in Chinese Contemporary Art” (OCAT Art and Design Gallery), “The Fourth Cross-Strait Four-Regions Artistic Exchange Project” (He Xiangning Art Museum; Taipei Fine Arts Museum; Osage Gallery Kwan Tong; and Macau Museum of Art), “CAFAM Future: Sub-Phenomena - Report on the State of Young Chinese Art” (CAFA Art Museum, Beijing), “A New Dynasty - Created in China”(ARoS Aarhus Art Museum, Denmark), “Utopias/Heterotopia—Wuzhen International Contemporary Art Exhibition (Wuzhen, China) , “Xu Bing: Thought and Method”(UCCA, Beijing) and Now Is the Time: 2019 Wuzhen Contemporary Art Exhibition (Wuzhen, China).

Feng Boyi is one of the most active independent curators and critics in China.

王晓松（Wang Xiaosong）策展人

王晓松，艺术评论人、策展人。2015年毕业于中国艺术研究院，获博士学位。2006-2012年供职于何香凝美术馆，2015-2017年在清华大学从事博士后研究工作。

策划及参与策划的部分展览有：“何香凝艺术的地·图·志——何香凝美术馆建馆十周年展览”、“移花接木——中国当代艺术的后现代方式”（华·美术馆）、“两岸四地艺术交流计划”（第1-4届，何香凝美术馆、香港艺术中心等）、“亚洲巡弋——物证”（台北艺术大学关渡美术馆）、“移形换影——第六届对话园林当代艺术邀请展”（苏州雨村美术馆）、“始终是开始——周春芽（2015）”（澳门艺术博物馆）、“乌托邦·异托邦——乌镇国际当代艺术邀请展”（乌镇）、徐冰大型同名个展（武汉合美术馆）、“中国与葡语国家艺术年展——三千界”（澳门牛房）、“时间开始了——2019乌镇当代艺术邀请展”（乌镇）等。主持策划了“人文之声——何香凝美术馆学术讲座”第101－200讲。2011年起，开始为《当代艺术新闻》《Hi艺术》、“打边炉”等艺术媒体撰写专栏。编著有徐冰、岳敏君、周春芽、刘建华等艺术家的作品／文献集。著有《视线之下》及《靳埭强：身度心道——中国文化为本的设计、艺术与教育》（合著）。

Wang Xiaosong，Art critic and curator.Wang received his doctorate from the Chinese National Academy of Arts in 2015. He has worked at He Xiangning Art Museum from 2006-2012, and engaged in post-doctoral research at the Tsinghua University from 2015-2017.

Wang curated and participated in several important exhibitions and art projects, such as The Art and Life of He Xiangning: Mapping, Illustrating, and Documenting the Landscape of History-the Ten-Year Anniversary of the He Xiangning Art Museum, Hypallage: The Post-Modern Mode of Chinese Contemporary Art (OCT Art and Design Gallery), Cross-Strait-Four-Regions Artistic Exchange Project (First-Fourth editions, He Xiangning Art Museum, Hong Kong Arts Centre, etc.), Asia Cruise: Evidence (Kuandu Museum of Fine Arts), Transforming (Suzhuou Yucun Art Museum), Zhou Chunya: New Works (Macau Museum of Art), Utopias/Heterotopia-Wuzhen International Contemporary Art Exhibition (Wuzhen), Xu Bing Solo Exhibition (Wuhan United Art Museum), Now Is the Time: 2019 Wuzhen Contemporary Art Exhibition (Wuzhen) and Annual Arts Exhibition between China and Portuguese-speaking Countries – The Universe (Macao Ox Warehouse). Wang has planned and hosted the "Voice of Humanism--Academic Lecture of He Xiangning Art Museum" No. 101-200. Since 2011, he has started to write art review columns for Chinese Contemporary Art News Magazine, Hi Art and DBL. He has edited works/ literature collections for artists like Xu Bing, Yue Minjun, Zhou Chunya, etc. His books include Under the Sight and Kan Tai-keung: Shen Du Xin Dao -- Design, Art and Education Based on Chinese Culture (coauthor).

刘刚（Liu Gang） 策展人

刘钢，策展人、创意品项创始人兼总监、艺术家。1983年出生于中国长沙，2008年毕业于中央美术学院。现生活和工作于北京。

作为策展人以及创意品项总监，他立足本地实践并放眼海内外，以国际视野致力于通过创意品项这一文化品牌推动欧洲与中国的文化交流沟通，在国内外的策划的重要展览包括：“时间开始了——2019乌镇当代艺术邀请展”（乌镇）、“放肆逐光”（西安）、“现在 的未来不是将来”（深圳OCT-LOFT）、“破界”（今日美术馆）、“视态之问”（广东美术馆）、“海上世界灯光节”（深圳）、“烁”（北京三里屯太古里）、“乌托邦·异托邦——乌镇国际当代艺术邀请展”（乌镇）、“时尚：当下即未来”（上海华侨城苏河湾中心/深圳华美术馆）、“SUN JIE & JIE SUN” 孙捷当代首饰个展（上海）、“我们从未不认识——中国当代摄影”（荷兰阿姆斯特丹FOAM摄影博物馆）、“就在此刻”(北京三里屯红馆)、“培蕴之屋”（北京大栅栏）、“时代映像：1960年以来的英国摄影”（深圳OCT-LOFT/上海民生现代美术馆/成都华侨城视觉艺术中心）、“静/物：荷兰当代摄影”（北京三影堂摄影艺术中心/上海喜马拉雅美术馆）、“自我/非自我：荷兰当代设计”（苏州金鸡湖美术馆/澳门设计中心）、“北京设计周荷兰馆项目- H L N ” （北京大栅栏）、“荷兰摄影：我们之间的空间”（何香凝美术馆）、“三人行——荷兰当代首饰展”（深圳OCT-LOFT）、“北京国际设计周阿姆斯特丹主宾城市项目”（北京751创意园）、“鲁小本与泰斯个展”（苏州金鸡湖美术馆）。

主持的论坛包括：“当代设计的边界、轮廓及未来”（广州美术学院）、“摄影界的美术馆管理”（中央美术学院美术馆）。

Liu Gang，Curator, founder and director of The Pin Projects and artist. Born in Changsha, China in 1983, graduated from Central Academy of Fine Arts in 2008, currently lives and works in Beijing.

As a curator and the director of The Pin Projects, Liu builds on the achievement with a global outlook. He is committed to promote cultural exchanges between Europe and China through his own cultural brand -The Pin Projects. Major exhibitions he curated and produced include: Now Is the Time: 2019 Wuzhen Contemporary Art Exhibition (Wuzhen); Xi’an Light Festival (G-Park Xi’an, 2018); The Imagined Future is not the Future (OCT-LOFT Shenzhen, 2017), Harper’s Bazaar 150th Anniversary Exhibition (Today’s Museum Beijing, 2017); Visual Questions – Young artists ’visions and experiences (Guangdong Museum of Art, 2017); SeaWorld Light Festival (Shenzhen 2016); Taikoo Li Light Festival (Beijing 2016); Utopias/Heterotopias- 2016 Wuzhen International Contemporary Art Exhibition (Wuzhen, 2016);
The Future of Fashion is Now (OCT Land Shanghai, 2015, Hua Museum Shenzhen, 2016); SUN JIE & JIE SUN
- Sun Jie Contemporary Jewelry design Show (Shanghai, 2015); We May Have Met Before – Chinese Contemporary Photography Exhibition (Fotomuseum Amsterdam, 2015), Now is the Time/Magnum Photo (Beijing Sanlitun, 2015); The Nurturing House at Beijing Design Week, Dutch Embassy Program (Dashila Beijing, 2015); Work, Rest and Play: British Photography from the 1960s to Today (OCT-LOFT Shenzhen, Minsheng Art Museum Shanghai and Visual Art Center of OCT Chengdu, 2015); Still/Life – Contemporary Photography Exhibition (Three Shadows Beijing, 2014 and Shanghai Himalayas Museum, 2015); Self/Unself – Dutch Contemporary Design Exhibition (Jinji Lake Art Museum Suzhou, 2014 and Macau Design Center, 2015); The Dutch program at Beijing Design Week (Dashila Beijing, 2014); The Space between Us– Dutch photography exhibition (He Xiang Ning Art Museum Shenzhen, 2014); Triple Parade – Dutch Jewelry Design Exhibition (OCT-LOFT Shenzhen, 2014); Amsterdam Guest City Program at 2013 Beijing Design Week (751 D-park Beijing); Wassink Lundgren Solo Exhibition (Jinji Lake art museum Suzhou 2013).

Liu also chaired the following forums: The boundaries, Contours and Future of Contemporary Design (Guangzhou Academy
of Fine Arts 2015); Museum Management in the World of Photography (CAFA Art Museum 2014).

黄燕（Huang Yan） 策展人

黄燕，艺术家，中国美术学院副教授、纤维艺术系主任、纤维与空间艺术工作室主持人。2017年获中国美术学院博士学位，著论文《织物的嬗变：从尼龙丝袜、牛仔裤到当代艺术》，同年到美国Josef & Anni Alberts 基金会、芝加哥艺术学院和加州艺术学院交流访学。2009-2019年期间，参与并完成多项省级、国家级课题，发表多篇学术论文，策划“混响时间——第三届纤维艺术新锐展”等展览。个人创作强调纤维与视觉空间、视觉符号的探讨，以富含逻辑思维的图式语言，构建包含视角维度、时空认知和逻辑概念的抽象艺术语境。作品多次参加国内外艺术展，包括杭州纤维艺术三年展、ART021上海廿一当代艺术博览会、艺术深圳、艺术台北国际博览会、保加利亚与中国纤维艺术展、日本东京国际纤维艺术展、中国青年艺术家实验展等。获浙江省青年美展优秀奖、CAFAM未来展提名艺术家、浙江当代青年艺术作品展优秀奖、罗中立奖等荣誉奖项。作品曾被关山月美术馆、艺术深圳等多家艺术机构和法国、中国台湾等地的私人藏家收藏。

Huang Yan is an artist,  associate professor of China Academy of Art, chair of the Fiber Art Department，the director of Fiber & Space Art Studio. She received her PhD from the China Academy of Art in 2017 with her research paper The Evolution of Fabric: from nylon stocking, jeans to the contemporary art. At the same year, as a visiting scholar, she visited Josef & Anni Albers Foundation, The School of the Art Institute of Chicago, California College of Art in the United States. During the period of 2009 to 2019, she participated in and completed many provincial and national projects, published many academic papers, planned Echoing Time: the 3rd Frontier Fiber Art Exhibition and other exhibition projects. Since 2004, she started to engage in contemporary fiber art creation. Her personal art practicing emphasis on discussing fiber with visual space, and visual symbol. She is good at exploring the interrelation between material, color, shape and the visual appearance in the space concept. She has been attending different international exhibitions, such as Hangzhou Triennial of Fiber Art, Art021 Shanghai 21 Contemporary Art Expo, Art Shenzheng, Art Taipei  International Expo, Bulgaria and China Fiber Art Exhibition, Tokyo International Fiber Art Exhibition, Chinese Young Artist Experimental Exhibition. And she was awarded the honorable mention of Zhejiang Youth Artist Exhibition, nominating artist of CAFAM Future Exhibition, honorable mention of Zhejiang Contemporary Young Artist Exhibition, the prize from the Luozhongli Foundation. Her works have been collected by many art institutions such as Guan Shanyue Art Museum, Art Shenzhen and private collectors in France, Taiwan and other places.

金泽韻（Kodama Kanazawa） 策展人

金泽韻，1973年生于日本横滨，先后获东京艺术大学研究生院和英国皇家艺术学院的硕士学位。在公立美术馆工作12年后，于2013年开始独立从事艺术工作，2017年起，担任日本青森县十和田当代美术馆（Towada Art Center）策展部学术总监。

金泽韻策划了许多展览，包括：“光谱”（漩涡艺术空间，日本东京，2015）、“2016年茨城北艺术节”（其中的多处地点）、“潘逸舟：漂流的思想者”（上海当代美术馆，2017）、“毛利悠子：假设有摩擦和抵抗”（十和田当代美术馆，日本青森，2018）、“童年：梦想鱼的另一个香蕉日”（东京宫，法国巴黎，2018）以及“诞生自谎言的，真实——此刻超越地方而生的艺术”（十和田当代美术馆，日本青森，2019）。

Kodama Kanazawa was born in 1973, in Yokohama, Japan. She holds MA from the Graduate School of Tokyo University of the Arts and the Royal College of Art, United Kingdom. After working for 12 years in public art museums, she began working independently in 2013. From April 2017, she has also been working as senior deputy director of curatorial affairs at Towada Art Center, Aomori, Japan.

She has curated numerous exhibitions, both domestic and overseas, during her career, which includes “Spectrum” at Spiral, Tokyo, Japan, 2015, “KENPOKU ART 2016” at multiple places in Ibaraki prefecture, Japan, 2016, “Han Ishu: Drifting Thinker” at MoCA Pavilion, Shanghai, China, 2017, “Rafaël Rozendaal: GENEROSITY” at Towada Art Center, Aomori, Japan, 2018, “CHILDHOOD: Another banana day for the dream-fish” at Palais de Tokyo, Paris, France, 2018, “Yuko Mohri: Assume That There Is Friction and Resistance” at Towada Art Center , 2018 and “Stranger Than Fiction: Taking Creation Beyond Location” at Towada Art Center, 2019.

许嘉（Xu Jia） 策展人

策展人、艺术家。曾任2016年第二届杭州纤维艺术三年展联合策展人，2013年首届杭州纤维艺术三年展策展助理。毕业于同济大学建筑与城市规划学院建筑学专业，中国美术学院艺术人文学院博士，曾赴美国罗德岛设计学校、英国伦敦金史密斯学院交流，现任中国美术学院雕塑与公共艺术学院纤维艺术系专任教师。近年来，许嘉的研究重点从中国明清美术史转向当代纤维艺术领域，发表多篇学术性论文，并以艺术家身份参加国内外展览，包括：“第五空间——纤维与空间艺术展”（2009）、“动漫美学双年展”（台北、上海、北京、广州巡展，2009），“第七届深圳国际水墨双年展——在线人间”（2010）、第54届威尼斯双年展“未来通行证: 从亚洲到全球”（2011）、第八届中国当代青年陶艺家作品双年展（2012）、“纤维、心维、思维——中国美术学院纤维和空间艺术展”（2013）、“青春·观·世界：2019之江国际青年艺术周”（2019）。作为“八零公社”的发起人之一，策划了“传承——捌零公社书画展”（2013、2014）。发表的主要学术文章有《吴彬〈雁荡山图》的经营位置〉（2012）、《吴彬〈莲社求友图》泛论〉（2012）、《考纳斯的“回顾”——立陶宛考纳斯纤维艺术双年展考察报告》（2012）、《棉的舞者——记曼彻斯特惠氏画廊的“棉：全球化的线”展览》（2012）、《纤维，作为一种眼光——记2013 杭州纤维艺术三年展》（2013）、《重启感知：从〈公共人的衰落》引发的一系列物质文化的思考〉（2014）、《织与针》（2016）、《Envisioning Fibre in the Cultural Heritage of Hangzhou, China》（2016）、《不断实验，为建筑战》（2017），出版著作《绣画——中国江南传统刺绣研究》（2018）、《跨越装饰的织物》（2019）。

Xu Jia is a curator and artist. The Curator of the second Triennial of Fibre Art in 2016 and the assistant curator of the first Triennial of Fibre Art in 2013.She got a B Arch Degree in Tongji University, 2008 and a PhD degree in China Academy of Art, 2016. She once went to have exchanges in Rhode Island School of Design, the USA and Goldsmiths, University of London.She is now teaching in Fiber Art Department in China Academy of art. In recent years, she has turned her research focus from the art history of Ming and Qing Dynasties to the modern fibre art. She has published many academic theses and participated in many Chinese and foreign exhibitions as and artist: “The Fifth Dimension: Art of Fibre and Space”(2009), “Animamix Biennial”(2009) toured in Taipei, Shanghai, Beijing and Guangzhou, “The 7th International Ink Painting Biennial of Shenzhen – Comic media on Line”(2010), “Future Pass: La Biennale di Venezia”(2011), “The 8th China Contemporary Young Ceramic Artists’ Biennial Exhibition”(2012), “Fiber, Heart and Thought: Fibre & Space Art Exhibition from China Academy of Art”(2013), “Veni, Vidi, We young: Zhejiang International Youth Art Week”(2019). As a founder of “80 Commune”, she planned “Inheritance: Painting and Calligraphy Exhibition of 80 Commune”(2013,2014). Besides, she has published several academic articles: “The Operation Location of Wu Bin’s ‘Yan Dand Mountain’”(2012), “A General Survery of Wu Bin’s ‘Looking for Friends in Lotus Society’”(2012), “A Review of Kaunas – a report of The Biennial Fibre Art of Kaunas”(2012), “The dance of Cotton – The Exhibition of ‘Cotton: an International Thread’ in Whitworth Gallery, Manchester”(2012), “Fiber, Visions – the Hangzhou Trinennial of Fibre Art in 2013”(2013), “The Restart of Perception: A series of material cultural thoughts elicited from ‘The Fall of Public Man’”(2014), “Envisioning Fibre in the Cultural Heritage of Hangzhou, China”(2016), “Weaving and Needle”(2016), “Re-experiment, Fight for Architecture”(2017). Her PhD dissertation Embroidered Painting – Research Into China’s Traditional Jiangnan Embroidery was published in 2018.

阿萨杜尔·马克洛夫（Assadour Markarov）策展人

阿萨杜尔·马克洛夫，博士、艺术家、教育家和策展人。曾任保加利亚索菲亚国家美术学院副教授、编织艺术系系主任。曾在日本、英国、爱尔兰、芬兰等地讲学。现任教于中国美术学院公共艺术与雕塑学院纤维艺术系。

马克洛夫在中国接受艺术培训，获得书法学士学位。之后在英国和日本进行当代编织艺术方面的研究。作为一名艺术家，阿萨杜尔的作品涉及了视觉艺术的多个领域——绘画、雕塑和空间装置等。参加的重要展览包括：第十五届洛桑当代纺织艺术双年展（瑞士）、第七届开罗当代艺术国际双年展（开罗）、第十届洛兹国际壁挂三年展（波兰）、 “Fascinatie Texstyle 2”（荷兰）、“Estampa”（西班牙马德里），并参与保加利亚和中国举办的一些主要联展。

重要的策划项目有：“ESTAMPA 2000”和“ESTAMPA 2001”（西班牙，2000-2001）、第二届北京当代艺术双年。“东方之风”（西班牙Casa de Vacas，Madrid 和Santillana del Mar，2001）、“丝绸与传统”（中国丝绸博物馆，2017），联合策划了2013年杭州纤维艺术三年展、2016年杭州纤维艺术三年展。此外，还策划了在中国美术学院美术馆举办的“万曼的耕耘”展与“万曼与纤维艺术教育”研讨会。

Assadour Markarov PhD is a Bulgarian artist, educator and curator, has been lecturing around the world, in Japan, UK, Ireland, China and Finland. Currently is a full time professor in China Academy of Art at the Fiber Art Department in Hangzhou, China.

Markarov was trained as an artist in China, make his degree in traditional Chinese calligraphy and later in the field of contemporary art and textiles, researching in UK and Japan. As an artist he works in different fields of visual art as painting, printmaking, hand made paper, calligraphy, sculptures and installations in space.

His works have been exhibited in 15th Lausanne Biennial for contemporary textile art in Switzerland, 7th International Cairo Biennial of Contemporary Art, 10th International Lodz Triennial of Tapestry in Poland, "Fascinatie Texstyle 2" in the Museum Van Bommel-van Dam, Venlo in Holland, Second Beijing Biennial for Contemporary Art, and other major group exhibitions in China and Bulgaria.

He curates the Bulgarian artists’ participation on Estampa 2000 and 2001 in Spain and in 2005 for the 2nd Beijing Biennial for Contemporary art in China.

Co-curator of the 1st and 2nd edition of Hangzhou Triennial of Fiber Art in 2013 and 2016, China. In 2017 a chief curator of the “Silk and tradition”, a project in China National Silk Museum, and China Academy of Art an exhibition and symposium titled “Unrealized projects of Maryn Varbanov” related on the education of fiber art.

“无界之归”2019年第三届杭州纤维艺术展将于本月26日开幕，敬请期待！